Rogier van Bakel

Going to an audio show is a bit like being a finalist in that old Monty Hall show where your prize is behind one of three identical doors. At AXPONA, there are more than 200 identical doors.

A $20,000 system is probably no one’s idea of cheap, but it’s affordable-ish by AXPONA standards. And if the sound quality of such a setup is as good as it was in room 394, where Chicago dealer Saturday Audio Exchange had again partnered with Canadian marques Paradigm and Anthem, we’re getting into bargain territory.

An old Dutch saying holds that "good wine needs no wreath," meaning that real quality sells itself. That probably applies to Philharmonic Audio, too. The Maryland-based speaker manufacturer, led by veteran designer and viola maestro Dennis Murphy, has never put much stock in advertising and marketing.

One question the Stereophile team asks in every AXPONA room we cover is, “Is any of the gear new?” The Cambridge Audio team wins a trophy this year—or would if there was a trophy. When I dropped in for a listen on the first day of the show, account manager Joseph Buechel told me that the Class AB CXA81 MkII integrated amplifier ($1199) was making its debut "today, right now."