AXPONA 2024

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Ken Micallef  |  Apr 26, 2024  |  6 comments
The Caladan loudspeakers from Clayton Shaw Acoustics ($3000/pair) were a sleeper hit at the Capital AudioFest, so I made a beeline to the fifth floor, slow-motion elevators not withstanding.
Jason Victor Serinus  |  Apr 26, 2024  |  0 comments
When “What a beautiful midrange!” is the first phrase that floats through your brain as you settle down to listen to a hitherto unknown system, you can be pretty certain you’re in for a rewarding time.
Jason Victor Serinus  |  Apr 26, 2024  |  0 comments
It’s become a virtual axiom of show reports: With Jeremy Bryan doing set-up, MBL invariably sounds excellent. In the sweet spot—MBL speakers definitely have one, and it’s not very wide—sound was ideally focused, warm, and pleasing.
Jason Victor Serinus  |  Apr 25, 2024  |  0 comments
Bruce Ball’s AV Luxury Group, with a little help from his other distribution company, Ball Audio Distribution and System Solution (which forms what may be the world's best acronym), and Dantax Radio set up two systems headlined by Margules electronics.
Ken Micallef  |  Apr 25, 2024  |  0 comments
Balanced Audio Technology’s chief designer Victor Khomenko and BAT rep Steve Shade unveiled new products in conjunction with MoFi Electronics in 334.
Ken Micallef  |  Apr 25, 2024  |  1 comments
In the Innovation room, operated by Joe Corona of Chicago-based dealer Saturday Audio Exchange, two systems played, both featuring new components.
Jason Victor Serinus  |  Apr 24, 2024  |  0 comments
The all-out AXPONA push by AXISS Audio of Nashville, now headed by Cliff Duffey, encompassed four rooms. The biggest presented three new headliners: Gauder Akustik’s DARC 25-0 Mk II 4-way Reference Loudspeaker ($249,975), Soulution’s 727 preamp with phono module ($89,950; review forthcoming), and Soulution’s 757 deemphasis EQ preamplifier phonostage ($84,975).
Ken Micallef  |  Apr 24, 2024  |  0 comments
Ampsandsound’s Justin Weber brought a big pile of black vinyl to Chicago, lining the small room’s walls with album jackets. He had me at Sphongle, an electronic industrial act that churned out of the world-debut Ampsandsound Hudson 3-Way speakers ($18,000/pair) like dirty psychedelic water erupting from a broken sewer pipe.
Ken Micallef  |  Apr 22, 2024  |  0 comments
Well Pleased AV’s Mark Sossa corralled me for an early-morning listen session. I'm glad he did.
Ken Micallef  |  Apr 22, 2024  |  2 comments
In the Nirvana C ballroom, Nguyen Phuong of Clarisys Audio USA played his range of Clarisys Audio Panels, of which the smaller Minuet panel had so impressed me at the recent Florida International Audio Expo.
Ken Micallef  |  Apr 20, 2024  |  First Published: Apr 17, 2024  |  0 comments
Legacy Audio of Springfield, Illinois featured not one but three systems at AXPONA including three show debuts.
Ken Micallef  |  Apr 20, 2024  |  1 comments

The following interview, with Fyne Audio Technical Director Dr. Paul Mills and Managing Director Andrzej Sosna, conducted by Stereophile Contributing Editor Ken Micallef, was posted previously embedded in a report on Harmonia Distribution's rooms at AXPONA. Here, we present it on its own so that more people will see it.

Rogier van Bakel  |  Apr 19, 2024  |  1 comments
Sinatra said it best: Regrets, I have a few.

On Sunday morning, the final day of the show, my main regret was that I hadn’t made it to the fourth-floor Infigo/Alta room a day or two earlier. If I had, I would have encouraged everyone to go listen.

Ken Micallef  |  Apr 19, 2024  |  4 comments
Affable speaker designer Andrew Jones held court in room 334, explaining the details behind his new SourcePoint 888 floorstanding speakers ($4999/pair), an AXPONA world premiere (review forthcoming). Unfortunately, he couldn’t play his speakers due to the hotel’s intermittent Wi-Fi, which plagued many rooms.
Ken Micallef  |  Apr 17, 2024  |  2 comments
I typically attend Audio Note (UK) rooms not just to listen, but to learn.

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